Cordes sensibles: Andante cantabile

Angélique Duguay has been a member of Les Violons du Roy since 1996. Her studies were at McGill University with Thomas Williams, Richard Roberts and Mauricio Fuks, where she received both a Bachelor of Music and an Artist Diploma.

She began her career performing with Orchestre symphonique de Laval, Les Jeunes Virtuoses de Montréal, and other groups. She was also a member of Opéra Rouen’s Orchestre Léonard de Vinci during a stay in Europe. She continues to make regular appearances with Orchestre symphonique de Québec, Opéra de Montréal, and La Sinfonia de Lanaudière.

She was part of Les Violons du Roy’s Vivica Genaux, airs de Handel et Hasse recording on Virgin Classics and other recordings. She has also taken part in all Les Violons du Roy’s international tours and is much in demand for private recording sessions.

Angélique Duguay plays a Joseph Ceruti, Cremone violin, 1825, generously provided by CANIMEX INC. of Drummondville (Quebec).

Pascale Gagnon graduated from the University of Montréal with Bachelor’s and Master’s degrees under the direction of Jean-François Rivest, and went to complete training sessions at the Orford Arts Centre, Le Domaine Forget in Saint-Irénée and the Banff Center for the Arts in Alberta.

Pascale Gagnon is a founding member of the Quatuor Bozzini (1994-1997), which won Second Prize in the CIBC National Competition in 1995, and First Prize in the “Debut” series in 1997. The Quartet is well known for its work in the contemporary music field, and in 1996 was invited to take part in the international forum for young composers in collaboration with Le Nouvel Ensemble Moderne (NEM).

Pascale Gagnon was the concertmaster of the University of Montréal orchestra for the last three years of her student career, and toured in Spain in 1994. As a soloist and chamber musician, she took part in 1997 in two concerts recorded by CBC for the “Jeunes Artistes” series, and has also appeared with various professional ensembles including L’Orchestre Métropolitain, L’Orchestre symphonique de Laval, I Musici, La Pietà and La Société de musique contemporaine du Québec (SMCQ). Pascale Gagnon has been a member of the chamber orchestra Les Violons du Roy since May 2001.

Pascale Gagnon plays a Jean-Baptiste Vuillaume, Paris, Guarneri model, 1850 violin, and uses an Émile-François Ouchard, (father), ca. 1930 bow, generously provided by CANIMEX INC. of Drummondville (Quebec).

At the age of eleven, Jean-Louis Blouin began to concentrate on the viola. From 1989 to 1993 he studied at the Montréal Conservatory, where he obtained a higher education diploma. He then studied with Jutta Puchhammer at the University of Montréal, where he completed a Master’s degree in interpretation.

Since 1996, Jean-Louis Blouin has been a permanent member of Les Violons du Roy and appears in several of the group’s recordings, including J.S. Bach’s Art of Fugue and Psalm 51. His interest in Baroque music and experience with early instruments has also led to performances with other specialized groups, primarily as a violist but also on the Baroque violin.

Audiences have heard him perform with the Tafelmusik and Aradia ensembles from Toronto, at the Lamèque International Baroque Music Festival, and in Quebec with the Montreal Baroque Orchestra; Studio de musique ancienne de Montréal; the Arion, Les Boréades, and La Chamaille ensembles; as well as Masques, with which he produced a recording of Bach concertos for harpsichord on the Analekta label.

Jean-Louis Blouin plays a Giuseppe Pedrazzini viola, Milan ca 1930, and uses a Louis Gillet viola bow, ca 1965, generously provided by CANIMEX INC. of Drummondville (Quebec).

Principal cello of Les Violons du Roy, Benoît Loiselle also performs as a soloist and chamber musician. He appears regularly at various music festivals and events in Canada, and has played as a guest soloist with many orchestras, including the Orchestre symphonique de Montréal, Les Violons du Roy, the Orchestre Métropolitain du Grand Montréal and most recently, the Orchestre de la Francophonie canadienne.

In great demand as a collaborator for both concerts and recordings, he has played alongside musicians such as James Ehnes, Anton Kuerti, Olivier Thouin, Stéphane Lemelin, Anne Robert and Luc Beauséjour. In 2002-2003, he took part in the Tournées Desjardins series of Jeunesses Musicales of Canada, performing concerts throughout Eastern Canada with pianist François Zeitouni. Alongside his concert schedule, he teaches cello at the Académie du Domaine Forget.

As a founding member of Trio Hochelaga, Benoît Loiselle performed with the group from 2000 to 2006 in all major canadian venues and on an Asian tour in the fall of 2004. The Trio Hochelaga was the dedicatee of the Triple Concerto by Canadian composer Jacques Hétu, and gave its first performance in 2003.

Benoît Loiselle graduated from the Montréal conservatory as a student of Denis Brott, and went on to study with Antonio Lysy at McGill University. In 1999, he won the Prix d’Europe award offered by L’Académie de Musique du Québec and used it to study in Switzerland with Radu Aldulescu and Alberto Lysy, at the International Menuhin Music Academy and with Camerata Lysy Gstaad.

From 2003 to 2006, Benoît Loiselle played on the McConnell-Gagliano cello loaned by the Instrument Bank of the Canada Arts Council. He currently plays on a beautiful Lamy bow, generously loaned by Canimex.

Raphaël McNabney was born into a family of musicians in Montréal in 1982, but only began to play the double bass at the age of 19, after studying the cello between the ages of 7 and 14 with Monique and Walter Joachim and Denis Brott.

After this five-year break, a decisive meeting with Joël Quarrington rekindled his interest in music, this time as a double bass player. He quickly began a career as a chamber musician and soloist, and in June 2007 was appointed as principal bass with Les Violons du Roy.